The Bobby Gold Stories, by Anthony Bourdain

My first novel by Bourdain. It reads like a fictionalized Kitchen Confidential crossed with a Sopranos script. Nice writing style.

In A Strange City, by Laura Lippman

Moderately good mystery. Not my favorite series of mysteries. Nice Edgar Allan Poe/Baltimore plot basis.

Gone For Good, by Harlan Coben

Enjoyable, but his books feature really similar plot devices, so they are best read separated by other literary fare.

Tell No One, by Harlan Coben

Solid thrillers. I like his books a lot, and maybe I like this a little better than the ones featuring Myron Bolitar, master sports agent.

Finally Caught Up

So, you may have guessed that I didn't actually just read all of those books I posted. They've been scattered over the last month or two. I don't know why I find it so hard to keep up to date. I guess it's just not in my nature. I can't blame the baby, because I did it before her.

Speaking of the baby:

Well, never mind. Can't upload. Will try again later.

Kitchen Confidential, by Anthony Bourdain

I've so much enjoyed Bourdain's appearances on Top Chef, and his own show about traveling the world in search of weird wonderful food. One of my clients has this book on her shelf and every time I see her I say to myself, "gotta get that one." Finally, I have.

Fun book. Self-deprecating and wry, and a really interesting look into the cooking subculture. He's written some novels, apparently, and I've put those on hold at the library. I'm predicting they will be a little self-indulgent, but fun.

Into The Wild, by Jon Krakauer

We just saw the movie, which was disappointing. Heavily over-directed. I read the book for the first time long enough ago that I couldn't remember what was tweaked a little and what was straight from the book. It's a pretty close adaptation, but there are conflated characters, and a couple of timeline issues. They also chose to present an absolute cause for the boy's death, while the book presented several possibilities.

Anyway, do both, or skip the movie, read the book.

Darker Than Night, by John Lutz

I read another one of this series a while back, a later one, and it's fun to put the pieces in place as far as character and relationships go. I'll read some more of his books.

Dead Watch, by John Sandford

A new hero for Sandford, and I'm not sure if I liked him. He seems a little too good to be true. Maybe he'll grow on me.

I miss Davenport and Kidd.

Marked Man, by William Lashner

Another one I don't really remember much of: I guess it's a standard legal thriller.

A Matter of Degree, by Tom Philbin

Interesting. The protagonist is kind of creepy, just a little too interested in the killers he chases. It reads a little dated, published in 87. I won't seek it out, but if I came across another of this series on a hotel bookshelf or something, I would read it.

Blinded, by Stephen White

It is not a good recommendation for this book that I had to google it to remember what it was about. Your basic thriller. I found the characters a little less than genuine.

Hit List, by Lawrence Block

This is my first Block, as far as I can remember, and I enjoyed it. I don't know what it is that makes assassins so compelling, but they seem to make really good main characters. I'm interested to read more John Keller books.

Blue Screen, by Robert Parker

I have to say, there is not much other than name and circumstance (and gender, in Sunny Randall's case) to distinguish Parker's non-Spenserian characters from Spenser himself. I'm not complaining. It's kind of refreshing, just to have a slightly different take, but the clever dialogue, overall toughness, and moral relativism is the same whichever protagonist we follow.

This one is good, just like the others.

Runaway Jury, by John Grisham

I read this a long time ago, but recently caught part of the movie on cable, and wanted to see how much it matched. It's an engaging story. Better than many of his have been recently.

The Other Side of the Story, by Marian Keyes

More fun than I thought it would be, and the author is very good at distinguishing the voices of the three "sides" of the story.

Watermelon, by Marian Keyes

Fluff. UK fluff, but fluff just the same. Fun to read for me right now in the throes of early-motherhood, since the main character has a baby in the beginning. It reads like an early book, though, and I wonder if her writing improved.

Cathedral, by Nelson DeMille

This one is a good read, and it's interesting how dated it feels. I don't think it's even 20 years old.

Anne of Windy Poplars, by L. M. Montgomery

I've just been re-reading the Anne books, and I hear on the radio that it's the 100th anniversary of Anne. Lovely, lovely books.

New England White, by Stephen L. Carter

I enjoyed his other novel so much, I was really looking forward to this one, and I enjoyed it, too. The main character is a side character from The Emperor of Ocean Park, which is kind of neat. Lots of overlap in terms of setting, characters, themes... It's also written from a different point of view. The writing is dense, but in a good way. You actually have to work a little to read this, and I think that's good.