I have to say, there is not much other than name and circumstance (and gender, in Sunny Randall's case) to distinguish Parker's non-Spenserian characters from Spenser himself. I'm not complaining. It's kind of refreshing, just to have a slightly different take, but the clever dialogue, overall toughness, and moral relativism is the same whichever protagonist we follow.
This one is good, just like the others.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment